Whatmore on Whatmore - An Interview with Nel Whatmore

As you may have read on the Gallery 42 homepage (www.gallery42.com), we are currently displaying the work of our May Artist of the Month, Nel Whatmore.

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Tip Toe to the Sea - £3995

Nel Whatmore needs no introduction and we have a fine selection of her work on display. I conducted an interview with her the week of the exhibition and here is how the conversation went:

To start where all interviews start, how did you come to be an artist?

I became an artist initially because my parents were brave enough to encourage me to go and do a foundation course in Art and Design and to pursue what I loved, rather than to play safe and do a Geography degree at Durham. I then did a degree I didn't actually enjoy that much at Leeds but I enjoyed the life and afterwards went on a business course run by New Working Women in Leeds and learnt all the things you needed to know about being self employed. I started as a professional artist in a bedsit in Headingley making hand made cards, to generate enough income to print my first set of limited edition prints. I was awarded a grant by the Princes Youth Business Trust in 1986 which has been an invaluable help which enabled me to exhibit at major trade shows where I met publishers that I went on to work with for over 17 years.

What things have inspired you over your life and career? Do these things change and are some things lasting or enduring?

What has inspired me over my life and career? Wow, that's a big question! Again, my parents have inspired me to do whatever I do to the best of my ability. If it's worth doing, do it well; that adage has driven me on, on many an occasion. People inspire me as does beauty, the natural world and my endless fascination with colour and the effects it has on our loves and lives. The relationship between music and art interests me to and I paint better with loud music than with out. All of these are enduring. The reasons why I painted when I was 20 are not the reasons why I paint now. Hopefully the more you experience life the more there is to say.

How do these things impact your choice of subject matter?

The things that have inspired me directly effect how I work and my attitude to it but also the size and temper of each painting. In terms of subject matter it doesn't really matter whether I paint a sky or a sea or a flower it is usually all about the light and colour and movement rather than the object.

There are few artists, especially those working in Britain today, who can command your mediums so well, especially on such grand scales - why do you love pastel and why do you produce such large works?

I actually don't think they are that large; actually I would like to do them much much bigger but my favourite paper only comes in a limited size.

I love pastel as it's the closest you can be to actual pigment, it is sensuous and therefore evocative, not harsh and detached. Some how merely by being at the end of a brush you are already a step further away from what you wish to convey. It also has a warmth and a luminosity that I adore... I could go on.. suffice to say I love it.

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Blue Sky Thinking - Price on Enquiry

You have some interesting views relating to colour, art and the relating perception of the two together? Do they impact your art?

How colours behave when sat next to each other will be a life long  journey of discovery for me, I feel. How it also contributes to our feelings of wellbeing is self-evident, as we all can judge from simply when the sky turns from grey to blue. We are what we paint and what colours I paint reflect often what is roaming around in my head.

You have a stand at the Chelsea Flower Show for the past 7 years and again this year - whats it like to move from small spaces like the Gallery to larger ones like at Chelsea? Do you prefer small or large events? 

As being an artist is for a large part a solitary occupation, it is rather weird at times to go from seeing no one for hours to seeing several hundred thousand within a week. I like both small and large events as you just never know who you're going to meet.

Nel's art will be up for the rest of May and I will post again shortly with what I consider to be highlights of the selection of works. These images are lent kindly by Nel from her website.

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Barcelona Buskers - Price on Enquiry

Julie Dodsworth Giftware Section - The Official Opening

On Friday the 26th of April our Julie Dodsworth Giftware Section will have its Official Opening. Julie's art and designs will be complemented chiefly by inspiring art of local artist and Gallery 42 bestseller, Nel Whatmore. Hello everyone.

This is a particularly exciting event at the gallery for me for several reasons, which really are quite simple. I love the art we're going to be showcasing, I loved the art and atmosphere of the last evening and I love that because of these two things, there is a great chance of Friday going the same fantastic way that our last event - John Kaye's Preview Evening - went.

I'm not going to talk too much about the art of Nel and Julie too much in this post because I shall hopefully be posting interviews with them in the next day or two. Needless to say I'm very excited about bringing the two artists' work together for what I believe will be the first time. Below are links to their websites and some photos of the giftware section... There are no photos of the Whatmores on display as of yet because Ian is still working his wood-based magic on the shop ready for Friday evening.

From 7pm Friday Evening (April 26th) all are invited to Gallery 42 to the Official Opening of the Julie Dodsworth Giftware Section. It is sure to be a memorable night with lots of free wine, nibbles, conversation and live music throughout the night from Tadcaster's own James Brown, Mark Allison and Will Dinsdale of Shupadum and myself, amongst others!

Nel Whatmore's website - http://nelwhatmore.com

Julie Dodsworth's website - http://www.juliedodsworth.co.uk

The Giftware Section

Reviewing the Preview Night

Good afternoon (or morning, evening, whenever you're reading this...). I thought I would write today with my review of the preview evening of John Kaye's exhibition and the Julie Dodsworth Giftware Section. Both are assets to the Gallery and as such, both were well received!

You might recall from reading my earlier ramblings and scramblings that things were a little bit hectic at Gallery 42 before the opening of not one but 2 things on the same preview evening. Its safe to say everyone at the Gallery did an excellent job preparing and executing what was a brilliant evening full of wonderfully presented art and products, so well done to all my colleagues there!

This week its time for me, as a budding art historian, art writer and critic, to review the evening and of course this encompasses the art, the people and indeed - the music! I have included some pictures of John's beautiful art, but they really do not do it justice. This exactly why after reading this, unless you are ill-positioned (either abroad or afar) to do so, you must pop in and see the work for yourself!

So, I've written to you already about John's artwork. I'm going to focus this time on the night, so sit back and allow the anecdote(s) to flow.

The day before the exhibition I wandered into Gallery 42 in my usual sauntering fashion, where I was met with a cup of tea (darling) and my first encounter with Mr John Kaye himself. I did some odd jobs and helped with a few bits here and there, before interviewing John for the blog, which was fascinating - John really is a wonderful, genuine and inspirational character and I do believe, despite only having select chances to speak to him, I have taken much from his experience and from his stories from his travels.

Speaking of his travels, we hear he's in Bulgaria at the moment... Lucky sod ( a lovely sod nonetheless).

I left the Gallery missing several spotlights and looking not quite there yet... But little did I know, 24 hours later and the place would be transformed. Of course I had faith in all my colleagues and in John himself and I was right to. After some time with Mark and Will rehearsing for the musical part of the evening (which did end up being a large, background-edging-into-foreground part of the night), we walked in just in time to comfort James Brown, who was looking lost and confused, before the evening really began. We set up and then went to Sainsbury's. It was here we saw none other than the (in)famous Humphrey Smith, who walked several circles round the automatic doors before getting into the oldest, most battered looking Ford that Will and I had ever seen and driving away.

All this is irrelevant, for such musings detract from the main event. As everyone poured in (not at once, so it was more of a gradual filling of space across half an hour or so) James Brown himself kicked the night off with a range of cracking cover versions of everything popular music from the last 6 decades has had to offer. Paintings began to be sold and John escorted the guests (and of course, himself) towards the complimentary wine and nibbles by the stage (well, it wasn't a stage). Even though the weather wasn't on our side - indeed snow was projected for the duration of the night and beyond - we still enjoyed a great turnout across the evening and a healthy portion of the work was sold.

After James' half hour set I took to the stage to play some songs, before Mark and Will played some stuff also. We then collaborated and from that point on, the music came from the 4 of us, manager Liz, colleague Terry and of course, the Wilson brothers; both Tadcaster treasures. Whilst this was unfolding in the back, I was intermittently integrating myself into the crowd and taking photos on my new(ish) SLR, which I still can't use very well but hey, its a learning process. You can view these on the Gallery 42 Facebook page.

Key artists such as Nel Whatmore and Dave Markham were also present at the exhibition, as well as other prominent characters such as the Mayor, who was kind enough to listen to our music as well. The discussions surrounding John's art were great and there was a wonderful, welcoming atmosphere to the Gallery that served as a wine-fuelled, exaggerated version of that which we offer during daylight opening hours. As the patrons and guests began to dissipate we all congregated at the back of the shop for what turned into a bit of a karaoke, which was great fun. I played my (now revered for its emotion and baritone) version of Johnny Cash's cover of Hurt, originally by Nine Inch Nails, not once but twice, and Mark and Will pumped out Shupadum classics. Liz and Terry played some great covers which I believe they also do in their band, The Elmcats (who are great) and Wilson Brown ended (or not) the night on a perpetual medley of classics.

I had a bloody brilliant evening and I hope everyone who attended did as well - thank you all!

You can view pictures from the night on our Facebook page, which the link www.facebook.com/gallery42 should give you access to (if the link works) and I'll be putting more pictures up soon of the artwork left for sale. My few favourites didn't sell, which is tantalising of course. In the near future I hope to curate a Nothern Artists exhibition at the Gallery, inspired by Tate's forthcoming LS Lowry exhibition and of course the nothern work by Lowry, Birks and Tortice in our own collection - all of which will be for sale in the exhibition. Here's hoping I can get that off the ground!

In definite news, the Julie Dodsworth Giftware Section will be OFFICIALLY opened (i.e by Julie herself, I do believe) this month and there will be another music night to boot. Keep a check on my blog, on our Twitter handle and on the Facebook page for updates. The website will be undergoing maintenance shortly so please, do be aware and you can find our contact details on Facebook should you require them. Cheerio!